Monday, 16 September 2019

Never Never Land
My sister has gone to Never Never Land
It’s where all the lost children go,
those who don’t find their way home
and those who fade away and die
like the wild flowers I pick for the house.
My mother says
they stay children for ever
and can play all day long.
My sister was allowed to take her trike with her
even though it was all smashed up.
My mother says
the magic people there will fix it.
It sounds like fun there
but my mother says
she will never let me go,
not even if I find a magic carpet
to carry me up into the sky.
Perhaps she thinks I’m getting too old go there.
She says that the children there will grow wings
and become angels,
I think angels are a bit like fairies,
and when my sister gets her wings
she will fly back home
so we can be together again.
My mother says, no, never,
but I don’t know.

Sunday, 15 September 2019

A snippet from my poem "IT'S CLEAR" was used by Chris Jepperson a street photographer in in Columbia in this example of his work.

Friday, 13 September 2019

Better Together
We will always be together,
said my little brother
if he felt lonely
or if we were sad.
I would give him a hug
to comfort us both
we will, we will.
We will always have each other
always walk together
even if broken into little pieces
even if distorted by pain
we will pick up the pieces somehow
and put them back together
even if they’re re-arranged
even if not in the same places
we will still be us
But later
we forgot
and walked away
from each other.

Thursday, 12 September 2019

It was the change in her hair she noticed first
growing now like harsh thin weed
but attached
and inedible.
She tugged at it
but the pain was too great
to separate it from her head.
And then her scales
began to disappear
her beautiful shiny scales
washed away with her gills.
Her brothers and sisters
and the rest of the school
swam around her still
but she couldn’t hear them,
couldn’t understand
what they were saying.
The art of communication
had been lost
washed away
with her gills.
What was she now?
Neither fish nor fowl.
where did that come from?
She ran her fingers over her skin,
still smooth
up to now.
She waited
waited to see what would emerge.
Then the next wave came
and carried her
to the beach
so she crawled along
the sharp sand
on her swollen belly
until she found a rock
and clambered up
then slithered down
algaed slime
into a recess
a safe cave
a haven
with a shallow pool
left by the tide,
a birthing pool
she thought
and she knew
that the next tide
would bring her sustenance
while she waited to see
what would emerge.
SPILLWORDS.COM presents: Mermaid, a poem written by Lynn White, who lives in North Wales. Her writing is influenced by issues of social injustice ...

Wednesday, 11 September 2019

Do you have a secret life,
with secret places explored
only by yourself?
Do you?
Tell me about it,
let me in.
No you can’t,
of course you can’t,
it’s a secret.
Only you can go there.
So I must imagine
your secret life for myself.
May I?
Perhaps a house
with another family in it.
Perhaps a box hidden
under the floor
old love letters
or pornographic magazines
Am I getting warm?
Of course you won’t say.
Well, you can’t say.
For you are part of
my secret life.
My imaginings,
my dreams and fantasies.
And they are part of me.
As real to me as the life I expose.
but no one can go there.
They’re my secrets.
What about you?
Do you have a secret life?
Do you?
Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries...

Tuesday, 10 September 2019

Bits And Pieces
I loved Auntie Mary’s bits and pieces drawer.
Loved the metal box full of buttons
I laid out carefully
to admire the different colours,
the different shapes and sizes.
Some were very old
cut from outfits long gone.
I thought she should remember them
but she would never say,
only that she cut them from clothes discarded
in case she needed to replace those lost,
buttons were expensive back then.
I found a silvery chain
with a broken clasp
that glistened and gleamed
as I wrapped it round my fingers.
She said she couldn’t remember where she wore it.
I didn’t believe her, it was too beautiful to forget.
Then there were the discarded ornaments
that had once been on show,
presents from seaside places, so they said,
but it was the photographs I liked best.
Pictures of family I’d never met,
pictures of family I never would meet.
Now, I only remember the one of three young women,
my auntie and her sisters.
They were sitting on a wall with the sea behind them,
perhaps they had just bought one of the ornaments.
My auntie told me that people had said:
“just look at our Mary, showing her ankles!”
“I was very. daring”, she told me smiling.
I couldn’t that imagine the prim lady
in her always blue dresses
had ever been daring,
but she had hidden the picture away
because she thought it revealed too much.
On later visits I would always ask
to look in the ‘bits and pieces’ drawer
but it was never allowed again.
Perhaps it had already revealed too much.
Bits And Pieces by Lynn White I loved Auntie Mary’s bits and pieces drawer. Loved the metal box full of buttons I laid out carefully to admire the different colours....READ MORE

Sunday, 8 September 2019

The Village of Twee
I am just arrived in the village of Twee
with its little front gardens carefully wild,
with its thatch nicely polished,
its flowers dust free.
I wonder who tends them
in the village of Twee.
Who shampoos the pinks
who waters the pots,
who sweeps up the leaves
and prunes all the phlox.
There’s no humans to see
in the village of Twee,
just cars with their robots,
red, white and pink.
They wave as they drive through
with shopping piled high
singing ‘tra lah lah, welcome and fiddle di di.
There’s a welcome for all in the village of Twee.’
They park right outside,
with the pavements long gone
to give wider roads for motoring robots.
So how did it happen, this robotic coup.
There must be a story or legend to tell
to explain the strange culture I came across there.
Well, pavements weren't needed
with no humans to walk
and that’s how it started
if truth it be told.
And it’s ‘tra lah lah, welcome and fiddle di di’
as the robots drive smiling through the village of Twee.
So are there still humans?
I've heard they're indoors
their legs long since wasted,
they're unable to walk.
So the robots took over
and they do what they can
to keep the thatch polished
and dig up the weeds,
to feed all that need it
and take out the waste.
And when work is finished their day will come,
when new robots grow older, they can move on.
Singing ‘tra lah lah, bye now and fiddle di di,
there’ll be no more humans in the village of Twee’